Category Archives: FilmReview

Girl Most LIkely (2012)

From Netflix:

After staging an unsuccessful suicide to get her boyfriend’s attention, a struggling playwright moves back home to live with her mother, her mother’s boyfriend and a handsome lodger who sings with a Backstreet Boys cover band.

Exaggerated family disfunction is the basis for this comedy, and indeed there are some good laughs. Annette Bening (as crazy mother Zelda) and Matt Dillon (as crazy boyfriend “The Bousche” of the crazy mother Zelda) are probably the best known actors. Kristen Wiig (as mixed-up daughter Imogene) will play young Lucille Bluth in the 2013 addition to “Arrested Development”. Darren Criss (as the roomer in crazy mother’s house) and Christopher Fitzgerald (as mixed-up bother Ralph of mixed-up daughter Imogene) are two newish faces that do well in the film.

Just sit back and take in the antics of these improbable personalities in this light-hearted disposable comedy.

The Attack (2012)

From Netflix:

An Arab Israeli physician offers assistance at the scene of a gruesome suicide bombing in Tel Aviv and then learns that the bomber was his own wife. Stunned and furious, he sets out to confront the people who encouraged her deadly decision.

To paraphrase an old saying, “One good film is worth a thousand history books”. My guess is that as you watch this marvelous film in Hebrew and Arabic with English subtitles your attitude towards the events and the protagonists will change at least somewhat. Here is yet another film about the Israeli-Palestinian conflict that succeeds in not choosing sides, something that is very difficult to do in a film. If nothing else you will probably sympathize with the surgeon husband of the suicide bomber, a man caught in the middle of two cultures.

Superb acting, subtly developed plot, and a thought-provoking situation make for a must-see film.

Cuba, La Noche de la Jinetera (1997) [Book Review]

Recently I reviewed “El Peso del Silencio” written by Jordi Sierra I Fabra. That novel took place in Chile. An older novel by the same author “La Noche del la Jinetera” takes place in Castro’s Cuba. Both novels are in Spanish without an available translation. Both have audio versions from Audible.com.

“Jinetera” means a female almost-prostitute in Cuba who accompanies and sleeps with tourists to Cuba not so much for the money but to find a foreign husband as a means to escape the hardships of Cuba. Daniel Ros is the protagonist newspaper reporter in both novels. In “Jinetera” he is sent from his newspaper in Spain to Cuba to find out why his reporter friend Estanis was found dead in a hotel room in Cuba. Most of his adventure involves a jinetera named Anyelín with whom he falls in love (initially “in lust”). Secondary is an attempted assassination of Castro and a mass exodus of Cubans in flimsy boats.

Expect many detailed descriptions of sexual activity.

In order to appreciate the atmosphere of the story, a brief history of Cuban-American relations is in order. Here my source is chiefly the book “Overthrow” by Stephen Kinzer (Henry Holt and Company, 2006).

In 1898 the imperialist President McKinley, fearing that Cuba would free itself from Spain and become independent enough to not do Washington’s bidding, sent to Cuba the battleship Maine. For a reason never discovered that battleship exploded. For William Randolph Hearst, who had waged a campaign of newspaper lies against Spanish colonialists, that explosion was a godsend. To the delight of Vice President Theodore Roosevelt, Hearst, and Senator Henry Cabot Lodge, McKinley got Congress to declare war on Spain. In the skirmish in Santiago you may recall that Roosevelt led a charge up San Juan Hill dressed in a uniform he ordered from Brooks Brothers. Although Congress in the Teller amendment had promised independence to Cuba, Secretary of War Elihu Root and Senator Orville Platt broke that promise by authoring the Platt amendment which gave the U.S. control of Cuba. Cuban outrage was championed by the Communist party which in 1925 was outlawed by the Cuban dictator Gerado Machado. Franklin Roosevelt encouraged the Cuban army to rebel and the turmoil produced a new dictator Fulgencio Batista. Our Batista encouraged American investors, including prominent gangsters, to build an empire of prostitution and gambling. Batista fled Cuba in 1959, a few steps ahead of Castro’s rebels. President Eisenhower was baffled to learn that Cubans, for some reason or other, did not like the U.S.A. And the rest remains the history of the early 21st century. Stay tuned for further developments.

Runner Runner (2013)

From Netflix:

After losing a lot of money to online poker, a Princeton student confronts the site’s shady CEO, Ivan Block — and soon becomes Block’s protégé. But when an FBI agent tries to take Block down, the relationship between mentor and protégé goes south.

Here is your opportunity to see Ben Affleck as the bad guy and Justin Timberlake as the “good guy”. Anthony Mackie is an FBI agent who is another “good guy”. Take that phrase “good guy” with a grain of salt. Makie is just plain ruthless and not beyond murdering in the course of obtaining “justice”. Note how cynical films have become? Timberlake starts out as an intelligent but somewhat naïve Princeton student gambler. Rather than ruthless, he is just plain cunning. Affleck eventually reveals his sociopathic personality.

You more or less have seen this plot in other film incarnations and it is nothing special. But, and correct me if I am wrong, I do not remember Affleck as a villain in any previous film.

Thanks for Sharing (2012)

From Netflix:

While making his way through a support group for sex addicts, Adam dips his toe in the dating pool to embrace a meaningful relationship. But the woman he’s attracted to has sworn off addicts altogether.

Sex addiction is the sole topic of this serious, thought-provoking, well acted, and hopeful film. Originally AA helped just alcoholics, but the idea of mentor-mentee organized group therapy involving public acknowledgement of one’s problems has expanded to all sorts of addictions. Plot line centers around four addicts and their associates. Expect very little comic relief from the problems of the various characters:

  • Mark Ruffalo (Adam) compulsively engages in all manner of sex acts. After a successful period of recovery he meets…
  • Gywneth Paltrow (Phoebe) who is both seductive and has her own set of eating and exercise compulsions.
  • Tim Robbins (Mike) is Adam’s mentor. In addition to his own personal demons, Mike was not a good father to …
  • his now drug-addicted son Patrick Fugit (Danny).
  • Josh Gad (Neil) is a young mother-smothered MD who loses his hospital job due to his compulsion to touch women in public. He helps and is helped by fellow sex addict …
  • Alecia “Pink” Moore (Dede) who needs sex following any emotional stress.

Each character during the course of the film suffers some setback (“falling off the wagon”) followed by a recovery. Hope and mutual support rather than a feeling of despair makes this film somewhat inspiring. Nobody is perfect. Good flick!

Don Jon (2013)

From Netflix:

Jon Martello’s romantic exploits are legendary among his friends, but his obsession with online porn saps his enthusiasm for real sex. As he searches for intimacy — or avoids it — Jon meets two women with vital lessons to teach him.

Despite the constant shots of computer pornography, despite the endless stream of vulgar sexual discussions, despite all the swearing, there is a real point to this film. In fact this is the kind of film you could show teenagers in a sex class. Such a film will indeed titillate, but Joseph Gordon-Levitt does an amazing job in portraying a young “dude” that actually turns his life around as he moves away from one-sided sexual satisfaction and toward a real relationship. Repeat: his acting is superb.

He changes with the help of two women: Scarlett Johansson plays a low-class, gum chewing, sexy but domineering woman who starts Don Jon on the road to something better. Julianne Moore picks up where Johansson leaves off and finally makes the difference for Don Jon. This is not a spoiler because the whole point of the film is the process Gordon-Levitt makes with his addiction.

Notice Don Jon’s sister who seems attached at the hip to her smartphone. At one point she is dead on the mark.

As a Catholic I would like to remark that the scenes in the Catholic confession are not far off the mark as far as the impersonal atmosphere is concerned. However, in Catholic theology the confession is bogus and there is no forgiveness if the person confessing is not resolved to avoid the sin in the future. Future avoidance would be the last thing on Don Jon’s mind.

If you can ignore the vulgarity, this is actually a good film.

Flypaper (2011)

From Netflix:

Two gangs unwittingly attempt to rob a bank at the same time, catching innocent Tripp in the middle of the action. He saves bank teller Kaitlin, and together they scheme to stay alive and out of love.

Looking for some laughs sprinkled with quite a bit of obscenity? Looking for a plot that entangles more and more as the film advances? Looking for some clever plot twists and turns? Go no farther — at times “Flypaper” is farce-funny. Most of the humor is due to the crazy characters, either bank employees or the genuine imbeciles trying to rob the bank.

Patrick Dempsey plays Tripp Kennedy, an obsessive compulsive not-so-idiot-savant. He and Ashley Judd are caught in the middle of the mayhem.

You may recognize Jeffrey Tambor as the Bluth family father from “Arrested Development”.

Pruitt Taylor Vince often plays a blathering redneck idiot, this film included. You might recognize him as the heavy-set supervisor from “The Mentalist” whose eyes never stopped circling.

Although it is a funny satire, to understand the complications at the end might be a challenge.

Kiss Me Deadly (1955)

From Netflix:

Shortly after sleazy detective Mike Hammer (Ralph Meeker) picks up a scantily clad hitchhiker (Cloris Leachman), his car is forced over a cliff. He awakens from unconsciousness to find his passenger dead — but it wasn’t the fall that killed her. As Hammer sets out to uncover the woman’s deadly secret and find her unknown assassins, he ignores explicit signs that he should mind his own business. This film noir was adapted from Mickey Spillane’s novel.

PBS showed this 106 minute black-and-white film from 1955. You can also get it from Netflix. To think that I was only 15 when this film came out – how films have changed. Nonetheless, despite the old style stiff way of acting (at times seemingly mere line reading), the film is fascinating, if only from a historical perspective.

The Wikipedia article has this to say:

Kiss Me Deadly is a 1955 film noir drama produced and directed by Robert Aldrich starring Ralph Meeker. The screenplay was written by A.I. Bezzerides, based on the Mickey Spillane Mike Hammer mystery novel Kiss Me, Deadly. Kiss Me Deadly is often considered a classic of the noir genre. The film grossed $726,000 in the United States and a total of $226,000 overseas. It also withstood scrutiny from the Kefauver Commission which said it was a film designed to ruin young viewers — leading director Aldrich to write against the Commission’s conclusions.

Kiss Me Deadly marked the film debuts of both actresses Cloris Leachman and Maxine Cooper.[2]

As you approach the surprising end of the film you will understand the comment from the same Wikipedia article:

Critical commentary generally views it as a metaphor for the paranoia and nuclear fears of the Cold War era in which it was filmed.

Ralph Meeker, the lead actor, has a huge resume even though I never heard of him before seeing this (to me) unusual film.

Even the orchestral music seems old-fashioned.

2 Guns (2013)

From Netflix:

Two special agents — one Naval intelligence, one DEA — partner for an undercover sting against a drug cartel that takes a serious wrong turn. Disavowed by their agencies, the pair goes on the run while trying to find out who set them up.

Denzel Washington and Mark Wahlberg make a fun team in this twisting and turning romp. According to the film’s philosophy just about everybody is a crook. Just start off by thinking the pair are just a couple of crooks aiming to rob a bank and let the plot take you by surprise. Many of today’s action films feature clever repartee between characters and this film is no exception. Needless to say the film is violent. As for sex, Paula Patton is slightly naked in just one scene.

Only in our cynical age could such plots be possible. Just because in fact the CIA installed our Pinochet in Chile after murdering Allende is no reason to think that CIA agents might be dishonest.

Have fun!

Port Mortuary (2010) [Book Review]

From the Amazon page for the book:

Cornwell returns to form—somewhat—after the plodding Scarpetta Factor (2009). Told in the first person, the story finds Kay Scarpetta, now the chief medical examiner of the new Cambridge Forensic Center in Massachusetts, involved in a couple of cases: the mysterious sudden death of a man and the murder of a child (whose confessed killer seems to be innocent). Soon she begins to suspect the two cases are related—joined by a piece of high-tech hardware found in the first victim’s apartment—and before too long, she realizes she’s facing what could be her most clever foe yet. For the first time in a while, Cornwell seems genuinely interested in Scarpetta again, giving the novel that spark of life that has made the series so enjoyable for its many fans. The book is still a long way from the glory days of Postmortem (1991) and From Potter’s Field (1995), but it’s definitely a step in the right direction. Series fans who have felt a bit let down of late will be pleased.

Unfortunately this was the first Scarpetta novel I ever read as well as the first Patricia Cornwell I ever read. In the paragraph above there are recommendations for other Scarpetta novels that the critic deemed better.

My first impression is that Cornwell is a female version of a transmigrated Tom Clancey. No detail seems too small to include. If you like technical discussions you will love Cornwell.

As hinted in the critic’s paragraph above, she seems “interested” in Scarpetta. My general impression is that she ruminates constantly about Scarpetta’s inner worries. Scarpetta seems to spend her time fretting over her relationship with her husband, with her colleagues, with her subordinates, etc. In fact there is more navel contemplation than action. One oddity is that we never meet one of the most important personalities in the story although I will not offer a spoiler.

Her introduction to the book claims that every technical detail in the book is already true or is currently under government or industry development. If this is true, then the future looks rather bleak.

Although the plot is inventive and offers surprises, you might do better to start with another Scarpetta novel by Patricia Cornwell.