Category Archives: FilmReview

I Am Jonas (2018)

From IMDB:

Two moments of Jonas’s life intertwine, each reflecting the other: in 1995, when he was a secretive teenager, and 18 years later, as an attractive and impulsive thirty-something looking for balance in his life.

From Netflix you can stream this 1 hour 22 minute French film with English subtitles.

Also from IMDB:

Boys (Jonas) is a mystery told in two separate timelines. In the first, it’s 1997 and Jonas is entering 9th grade. A new boy in school immediately catches his eye. Perhaps it’s the bad-boy scar on his cheek or his devil-may-care attitude, but Jonas is smitten. The two boys quickly become friends and before long are skipping class to kiss in an empty gymnasium. In the film’s other timeline, it’s 2015 and the excitement of a teenager in love has been replaced with the sorrow of a man who can’t escape the past. The adult version of Jonas (Félix Maritaud, outstanding in this year’s sexually graphic Sauvage and last year’s ImageOut favorite BPM) is a broken man. His boyfriend has thrown him out for cheating on him a few too many times, and he’s been arrested for getting into a fight at Boys, a local gay bar. There’s something about the bar that seems to set him off. He meanders through life still carrying that same old Game Boy, trying to fill a hole that can’t be filled. So what happened …

Curious as to why Netflix is strongly promoting this film, I decided to give it a try.  Turns out the film is a well-made story about two gay boys Jonas and his impulsive friend Nathan. There is no sex in the film except for a kiss or two.  While centered in Jonas’ adult life, the story proceeds by flashbacks.

Different, satisfying while inconclusive ending, and not at all a waste of time.

Beauty and the Beast (2016)

From IMDB

A beautiful detective falls in love with an ex-soldier who goes into hiding from the secret government organization that turned him into a mechanically charged beast.

From Netflix you can stream 4 seasons of this romantic, sci-fi piece of fluff.  But before you start, at least realize that there are 70 episodes, each episode more corny than the previous episode. Seasons 1 and 2 consist of 22 episodes each. Seasons 3 and 4 consist of 13 episodes each.

And no, I have not seen all 70 episodes. Surely, I thought, if I waded through 22 episodes the story would end. Alas, episode 22 at the very end makes it quite clear that this is the series that never ends.

With each episode there is enough repetitious romantic palaver to fill a shelf in the congressional library.  However, this series also counts as genuine escape from every day reality.  For the sake of history, future readers (if any still exist) should realize that we are now in April 2020 confronting the coronavirus and are forced to stay indoors.  Maybe 70 episodes are not so  bad after all.

As with many B+ so-called “thrillers” the stress level is kept to a minimum. No sooner have our hero and heroine been confronted with a threat, then in a mere 15 microseconds the problem is solved, usually by having our all-powerful hero turn into the “monster” and saving his damsel in distress.

At least give credit to the inventiveness:  many episodes introduce some new character with his or her own secret agenda. These days you never know what normal looking person is really a monster in disguise.

Be patient because after quite a few episodes our love duet lovers finally have sex without him turning into a monster.

And still I persist in following the nonsense. Possibly better than sitting around fretting. Am I harsh in calling this series “acceptable trash?”

Code 8 (2019)

From IMDB:

A super-powered construction worker falls in with a group of criminals in order to raise the funds to help his ill mother.

From Netflix you can stream this 1 hour 38 minute piece of sci-fi acceptable trash.

Again from IMDB:

In a world where people with “special” abilities are living in poverty, Conner Reed (Robbie Amell) is a powerful young man who is struggling to pay for his ailing mother’s medical treatment. To earn money, he joins a lucrative criminal world led by Garrett (Stephen Amell), who works for a drug lord (Greg Bryk).

Not as horrible as it could have been, there is enough imaginative material here to warrant wasting 1 hour and 38 minutes.

Unorthodox (2020)

From IMDB:

Story of a young ultra-Orthodox Jewish woman who flees her arranged marriage and religious community to start a new life abroad.

From Netflix you can stream the 4 hour long episodes of this masterpiece.

At this point in April 2020  critics are raving about the film. For example you can find a discussion in the New York Times.  Unfortunately you must subscribe to the NYT to read full articles. From that review we read:

“Unorthodox” is loosely based on the best-selling 2012 memoir by Deborah Feldman, who left the Satmar sect of Hasidic Jews in Williamsburg and ultimately settled in Berlin.

In the film the young woman Esther Shapiro, who is called Esty, is played by the slight pixie of an actress Shira Haas.  Shira Hass is an incredible performer who presents her role to perfection. 

There are also short documentaries on the making of this film and how it strived for correct Hasidic details by hiring Hasidic men to help with the filming. Only the mink fur men’s hats are fake.

Constant switching between the past and the present, between New York and Berlin, might be a tad confusing.  Just keep in mind that the Berling portion of the film is fictional while loosely based on the memoir.

For me the most stunningly breathtaking moment in the film occurs when Esty auditions at a music school. We are talking real gooseflesh.

DO NOT MISS!

The Schouwendam 12 (2019)

From Acorn TV:

Decades ago, teenagers Olaf and Alice disappeared from the Dutch village of Schouwendam without a trace. Then an unknown man suddenly turns up in town with no memories but a clear resemblance to Olaf. The residents are forced to confront the mysteries of the past, but who is lying and who is telling the truth? As new fatalities occur, the community is riven with fear in this Dutch-language drama.

From Acorn TV you can stream this 10 episode one season Dutch mystery drama. Each episode lasts about 45 minutes. English subtitles. Now and then the characters speak English.

As this mystery proceeds, one by one residents of this small town are being murdered. Meanwhile the newly appeared “Olaf” who is suffering from amnesia keeps trying to discover if he really is Olaf.

As a subplot the young policeman Pim must contend with his wife and newborn infant because his wife is suffering from serious postpartum depression.  This becomes relevant to the mystery solution.

To help Pim a new superior  woman detective Karlijn van Andel  arrives on the scene.  Her personal story also becomes relevant to the plot.

Be prepared for a very surprising final episode.

Well worth your time.

Snails in the Rain (2013)

From IMDB:

Tel Aviv, Summer 1989. Boaz, a beautiful and alluring linguistics student, receives anonymous, male-written, love letters that undermines his sexual identity and interfere with his peaceful life with his beloved girlfriend.

From Amazon Prime you can stream this 1 hour 21 minute Israeli film with English subtitles.

In this well-made gem of a film, the bisexual Boaz is tormented by his homosexual tendencies and fantasies which add conflicting tensions in his relation with his live-in girl friend and lover Noa.  One major aspect of the story is: just who is this male stranger that is writing love letters to Boaz?  Because Boaz is handsome he continually gets admiring glances from women and men. With each such male admiring glance Boaz asks “Is he the one?”

Be prepared for much explicit straight and gay sexual activity . For example to relieve his sexual frustration, Boaz visits gay cruising spots in the park.  But his personal conflicts lead him often to be brutal to Noa and confrontational with male advances.

You will just have to watch the film to see what Boaz’s decision is because I will never tell.

The Valhalla Murders (2020)

From IMDB:

Police profiler Arnar is sent back home from Oslo to his native Iceland to investigate the country’s first serial killer case. He teams up with the local senior cop Kata.

From Netflix you can stream the 8 episodes of this Norwegian detective series. Each episode lasts about 45 minutes.

Orphanages in which the boys are sexually molested is a theme that has been used several times in other dramas.  In that sense there is a sameness to this series that seems a bit copycat. It takes 8 episodes to find the predator, deal with police bureaucracy,  and fight a conspiracy to cover up the murders and rapes.  Expect at times to suspend disbelief:  injured cops heroically save lives,  TV commentators miraculously save the day, etc.  Sometimes I am happy that a too convenient solution relieves the tension.

Along the way the divorced Kata has trouble with her son while the unusually taciturn Arnar must fight his own personal demons.

Despite any flaws, the clever obstacles created by the bad guys, the personal stories, and the action sequences kept me glued.

Twin (2019)

From MHz Choice:

Kristofer Hivju (Game of Thrones, Beck) stars in this dual-identity thriller. After the accidental death of his upstanding twin, a ne’er-do-well surfer bum assumes his brother’s identity.

From MHz Choice you can stream the 8 hour-long episodes of this Norwegian drama.  English subtitles are provided.

Hivju plays both twins, Adam and Eric.  Adam is a successful businessman whereas Eric has always been an irresponsible, willful  free spirit.  For years the brothers have been at odds.  After all those years of separation, Eric appears on the scene. During Eric’s visit Ingrid Williksen, Adam’s wife, accidentally kills Adam. She persuades Eric to pretend he is Adam until Eric can disappear.  You learn all this at the beginning of the story. More than that I will not reveal. But this is a worthy drama involving suspicious police, a confused daughter, and a conflicted wife.

Good acting and plot make this series worth watching.

The Pale Horse (2020)

From IMDB:

Is a trio of witches responsible for a series of sudden deaths or is there a rational explanation?

From Amazon Prime you can stream both hour-long episodes of this mystery story supposedly based on a story by Agatha Christie.

But don’t bother with this adaptation. Thank to a warning found in IMDB:

Sarah Phelps “version” is a complete mess. The production has an excellent cast including Rufus Sewell, who is magnificent as usual. The set design and costumes are top notch and even the cinematography and music are good, but…

Sarah Phelp’s story, script and directing are terrible. She makes an utter train wreck out of the original story and what’s left makes no sense at all. I can only hope that Sarah Phelps writes and creates her own scripts for future projects as she has no talent adapting existing stories.

Much of what the reviewer says rings true. Oddly enough I enjoyed watching what is essentially a good production. Indeed Rufus Sewell is very good.  But the ending left me confused.

If you are interested, read the Wikipedia account of the novel where you will see that there is very little in common with the two versions.

Skip this unfortunately watchable mess.

The Silence (2010)

From Acorn TV:

Deaf teenager Amelia (Genevieve Barr, Liar) wants to adjust to the hearing world and escape her overprotective parents (Hugh Bonneville & Gina McKee). But when she witnesses a murder, it jeopardizes the career of her homicide-detective uncle (Douglas Henshall, Shetland) and endangers her whole family. “A stunningly well-made thriller…taut, suspenseful and earth-shatteringly well written” –Express.

From Acorn TV you can stream the 4 episodes of this Irish thriller. Each episode is about an hour.

Talk about tense! In Shetland Douglas Henshall’s character DI Jimmy Perez is calm, thoughtful, persistent, and competent.  In “The Silence” his detective character Jim (characters as found in IMDB have no last names) is persistent, competent, not corrupt, however anything but calm.  And no wonder! His deaf niece Amelia witnesses one corrupt cop murder another cop by running her down with an automobile.  Jim is faced with protecting her while fighting to convince his fellow officers that there are clever, bent cops in the precinct who murder and are drug dealers.  Moreover, because of his exasperated demeanor those bent cops can easily persuade Jim’s  colleagues that Jim has mental problems, which reminds us of Trump’s method of discrediting anyone who disagrees with him.

You will probably recognize some of the other actors such as:

From IMDB we learn some personal facts about the deaf actress Genevieve Barr:  Genevieve Barr was born deaf and normally uses hearing aids. For her role as Amelia, who has just had a cochlear implant fitted, she was required to remove her hearing aids. She also had to learn sign language which she had never done before because she had always relied on her hearing aids supplemented by lip reading.

You might be astounded, disappointed, angry, puzzled, or all of the above after the last (fourth) episode finishes. But that is a notable feature of British plots:  why waste time on the details of an expected warm-feeling finale?  You can figure out for yourself what will happen next. However, if it makes you feel any better, rest assured there are many “outraged” reviews. Here is just one such review from IMDB:

What a Shame!

jeanjeannie3815 July 2010
I watched this, potentially brilliant, mini serial for each of its four days. Each day I really looked forward to the next episode. However, having now watched the whole series, I have reached the conclusion that the drama should have continued for five days instead of four. The fourth episode could very easily have concluded with a cliffhanger concerning the main character. This would have enabled the drama to end in a much more satisfying way. Instead, after watching four days of a truly gripping thriller, the ending was very disappointing. I don’t think merely leaving your audience with a good idea of the probably outcome of a drama is a patch on concluding with a fully rounded ending. Instead of the series concluding in a way that left me pleased I have invested my time and energy in it, I was left feeling it had been cut short because the writer (or director) had simply run out of steam. On the plus side the acting, especially of those playing the two leading characters, was first class.
Don’t listen to them. This is one really good thriller!
DO NOT MISS!