Category Archives: Drama

Every Day (2010)

From NetFlix:

Ned (Liev Schreiber) is fed up with his unfulfilling work as a writer on a flawed television show and his stagnant marriage to wife Jeannie (Helen Hunt). Just when he thinks life can’t get worse, his teenage son announces he’s gay and his ailing father-in-law (Brian Dennehy) moves in. Ned’s relationship with an amorous co-worker (Carla Gugino) adds even more tension, but despite the setbacks, the rewards of everyday family life overcome.

NetFlix’s description is misleading: As soon as the film opens Ned’s son is already discussing being gay. In fact the boy is nagging to attend a gay prom and Ned is protectively worrisome lest some older male might take advantage of the boy.

No one is perfect, but this husband and wife are a good and struggling couple beset with stressful problems that are certainly familiar to all of us in this American 21st century:

  • Ned worries about his gay son and confides in no one
  • Jeannie’s aged father is a nasty man that she could never love
  • Ned is a TV screenwriter whose gay boss is demanding and unpredictable.
  • Home life is so stressful that Ned and Jeannie do not have much sex much to Ned’s chagrin.
  • As a result Ned is sorely tempted by his temptress co-worker

Characters are well scripted and portrayed. Brian Dennehy plays the miserable father to perfection but shows his sad human side as well. Helen Hunt (who for me will always be the wife in the TV series “Mad About You”) is now (2011) an attractive 48 years old who is perfect for this part. Liev Schreiber does well as a very attentive and caring father whose job is very stressful.

Ned is part of a team of writers who are constantly urged by the boss to invent shocking plots involving sex of all types. Were it not for these explicit discussions I could almost recommend the film for children. Even the almost invisible nude sex scene in the swimming pool is not really objectionable.

Moreover, this is the first film I have seen which treats the life of a teenage gay person in our ordinary American day to day lives. You would worry about your straight daughter’s relation to boys, so why would you not worry similarly about your gay son ?

An “Every Day” film about a family that has it all, that is to say, all those nasty problems. I loved its ordinariness.

Never Let Me Go (2010)

From NetFlix:

Based on Kazuo Ishiguro’s acclaimed novel, this sci-fi drama from director Mark Romanek is centered on thirtysomething Kathy (Carey Mulligan), who reflects on her time spent at Hailsham, an English boarding school, alongside classmates Ruth (Keira Knightley) and Tommy (Andrew Garfield). Born for an unusual reason, the three struggle with their destiny and their love triangle. Charlotte Rampling plays headmistress Miss Emily.

Until I reached approximately page 72 of Ishiguro’s novel I could only suspect what was happening. Since I don’t do spoilers, you will have to wait (if you haven’t already guessed) until one of the characters gives us the insidious answer. If you can’t stand the suspense then you can find the answer in the Wikipedia article.

In order for the story to work you must suspend much disbelief. Quiet, understated, beautiful scenery, beautiful children, handsome young adults are the hallmark of the film. But there could be no rebellion for the story to succeed. You have to believe that what is happening is now completely accepted by the rest of the world. You have to believe that the progress of the story is inevitable.

It is quite possible that many of you will be bored to death. Slow and politely quiet as a whisper, expect no action whatsoever. “Sci-fi” is a just plain incorrect description. Quite possibly you will find the entire film grim.

Personally I loved the film and thought the ending achingly sad.

Another Year (2010)

From NetFlix:

Over the course of a tumultuous year, contented medical counselor Gerri (Ruth Sheen) and her geologist husband, Tom (Jim Broadbent), see their friends and relations through a series of happy events and heartbreaks — including a birth and a death. Imelda Staunton and Oliver Maltman co-star in this character-driven ensemble dramedy from writer-director Mike Leigh (Happy-Go-Lucky, Vera Drake, Secrets & Lies).

British in every sense: quiet, perfectly acted, not a pretty or handsome face to be seen, miserable teeth, and downright depressing.

More than anything, this film is a study in faces. Have you any idea how difficult it is for an actor when the camera stays fixedly focused on that actor’s face ? Just watch Lesley Manville’s character Mary tell the whole story with the mere movement of her eyes. I could have watched her for the entire film’s length.

Another theme here is loneliness.

What is really scary is that we all know people just like the characters in the story. Mary is an aging lonely neurotic alcoholic who never managed to reach a sensible maturity. Ken is a lonely overweight man who is slowly but surely drinking and eating himself to death. Tom’s widower brother is a zombie who has no idea how to go on living after the death of his wife and whose estranged son is a real mental case.

Another theme is kindness and love.

Tom and Gerri (OK, laugh it up) are an older couple in love and very kind people who try to help Mary and Ken. Mary desperately flirts with the couple’s much younger son Joe and acts like an abandoned lover when Joe gets a wonderful girlfriend Kate. Even then Gerri can forgive Mary’s outrageous behavior.

Although I have done my best to paint a really depressing picture, do not miss this pitch perfect production.

Man on Fire (2004)

From NetFlix:

Jaded ex-CIA operative John Creasy (Denzel Washington) reluctantly accepts a job as the bodyguard for a 10-year-old girl (Dakota Fanning) in Mexico City. They clash at first, but eventually bond, and when she’s kidnapped he’s consumed by fury and will stop at nothing to save her life. Tony Scott directs this thriller about a demoralized soul whose sense of purpose is reawakened by a human connection. Christopher Walken and Mickey Rourke co-star.

Seeing one kidnapping film is almost tantamount to seeing all of them. Plot twists keep this kidnapping adventure alive. Also the secondary (primary ?) theme of John Creasy finding something worth living for helps to hold the plot together. Violent revenge takes over after the kidnapping which disappointed me because I thought Creasy was trying to rise above his life of killing. Assumedly the justification is that the action takes place in Mexico which is so corrupt that our American notion of law and justice has no meaning. Unfortunately that is a fairly accurate description of Mexico.

Dakota Fanning as the girl Pita is her usual cute self. I wonder what kind of actress she will eventually become. Denzel Washington plays Denzel Washington.

Tell No One (2006)

From NetFlix:

Eight years ago, pediatrician Alexandre Beck (François Cluzet) was the prime suspect in his wife’s murder. He’s put all that behind him, but now that two dead bodies have been found near his home, he’s suspected of wrongdoing once again. The case takes an unexpected turn when he receives an anonymous e-mail showing his wife alive — and eight years older — instructing him to “tell no one.” Kristin Scott Thomas co-stars.

Second Review – August 2021

NetFlix no longer offers this film. Instead you can stream this 2 hour 11 minute film from Kanopy (free from your local library).

Harlan Coben always writes wonderful suspense mystery stories. Many of his stories, including this one, have been made into films. In this particular adaptation it seemed to me that the final and very satisfying conclusion came a little too easily.

Somehow I have the impression that for the most part American films are noisy and French films are quiet. At least in this case, this excellent French intrigue film is fairly quiet, with the exception of some foot pursuit escape sequences and a highway pile-up.

What starts out as a simple murder mystery gets more and more complicated. Eventually one character especially tells us all the details in a way we can understand. But if you need a recap you could read the Wikipedia summary.

French with subtitles. Well worth the time spent watching.

Patrik Age 1.5 (2008)

From NetFlix:

After moving from the city to a small town, gay couple Sven (Torkel Petersson) and Goran (Gustaf Skarsgård) adopt a child. But when Patrik (Thomas Ljungman) arrives in their lives, it turns out he’s not 1.5 years old as they were told by the adoption agency — he’s a rebellious, homophobic 15-year-old. While the couple houses the angry boy until the mix-up is resolved, his presence causes them to reassess their lives.

Gay-themed films have come a long way from being centered on the AIDS epidemic to a more realistic involvement with society in general. After watching this film, I would like to know if you thought the story portrayed was realistic, that is to say, could happen.

So what do you expect from a “straight” film: sex, violence, comedy, mystery, romance, sports, war ? Ignoring the gay theme, this film offers romance, non-explicit sex, some rough stuff that could hardly be called violence, comedy, social issues, an orphan needing a home, etc. Sound familiar ?

Although I did not expect much at first, I was pleased to find that this sane and warm film tells a story which is finally a feel-good. Each character is well-cast and well-acted, including their well-honed facial expressions. Look for a variety of neighbors, for better or worse.

Swedish with optional English sub-titles.

Is Sweden any different from the US&A ?

Amazing Grace (2006)

From NetFlix:

Based on actual events, this historical drama from acclaimed director Michael Apted tells the story of William Wilberforce (Ioan Gruffudd), an 18th-century English politician who fought for the abolition of slavery. Despite staunch opposition, Wilberforce waged an aggressive campaign using boycotts, petitions and slogans to bring the British slave trade to a decisive end. Albert Finney, Michael Gambon and Rufus Sewell co-star.

Worthwhile but not maudlin feel-good films can be hard to discover. “Amzing Grace” is such a jewel.

For an historical reality check please read the Wikipedia article.

England, through the efforts of Wilberforce, abolished the slave trade in 1807, a half-century before the American Civil War. Stay for the final credits which add that Wilberforce and William Pitt are buried side by side in Westminster Abbey.

Although it is eventually a feel-good film, you will be subjected to unsettling descriptions of the treatment of slaves.

In the film I saw many familiar British actors whose names I have never known. To give some of them credit, you will see:

  • Benedict Cumberbatch was William Pitt. He is currently the Masterpiece Mystery Sherlock Holmes.
  • Michael Gambon was Lord Charles Fox. He was Dumbledore in “Harry Potter”.
  • Rufus Sewell was Thomas Clarkson. He was Alexander Hamilton in “John Adams”.
  • Ciarán Hinds was the evil Lord Tarleton. He was Gaius Julius Cesar in “Rome”.
  • Toby Jones was the cretinous Duke of Clarence. He was Karl Rove in “W”
  • Nicholas Farrell was Henry Thornton. I will always remember him as the young runner Aubrey Montague in “Chariots of Fire”. His screen credits roll on for pages.
  • Albert Finney was John Newton and IS British acting.

DO NOT MISS THIS FILM !!!!

In the Valley of Elah (2006)

From NetFlix:

When exemplary soldier Mike Deerfield (Jonathan Tucker) disappears after returning from Iraq, his concerned father (Tommy Lee Jones, in an Oscar-nominated role) — a retired sergeant — works with gutsy police Det. Emily Sanders (Charlize Theron) to investigate. Writer-director Paul Haggis based his script on events reported by Mark Boal in a Playboy magazine article. James Franco, Josh Brolin, Jason Patric and Susan Sarandon also star.

As you will learn in the film, the valley of Elah is where David killed Goliath.

Having seen a mediocre film starring Tommy Lee Jones (In the Electric Mist (2008)), I was pleased that this film, also starring Tommy Lee Jones, was so amazing.

Let there be no doubt: this is an anti-war film. But it is perhaps the most subtle anti-war film I have ever seen. There is no preaching, rather the characters speak for themselves, and it is a scary spectacle indeed.

For me the most unsettling moment comes when Corporal Penning (played to perfection by Wes Chatham) non-confesses to a horrible crime. That is to say, he describes in a completely non-emotional manner what he did and then adds my pet-peeve phrase “Sorry for your loss”. Other reviews have labeled this character as having evolved in Iraq into a sociopath suffering from Post Traumatic Stress Disorder.

To understand the factual basis for the film, you should read the Wikkipedia article.

Other themes abound in the film: sexist resentment toward Detective Sanders (admirably played by Charlize Theron), father-son relations, military cover-ups, turf wars, etc.

Often I complain of the style of acting in which the actor does not emote, but rather expects the audience to guess what that character is thinking at that moment. Call it lazy acting. However, this style is used to great effect in this film and avoids the flaw of preaching.

Please enjoy something that Theron does well, namely: she is constantly battling male sexism, bureaucratic cover-ups, etc. But in several scenes she summons her courage and speaks out with a steely stare. However, just as soon as her adversary turns away, you can see her insecurity steal back into her eyes. Wonderful! Watch her interact not only with her pension-oriented boss but also with a powerful confrontation with Lt. Kirklander (Jason Patric).

And yes it took me some time to convince myself that it really was Jason Patric playing Lt. Kirklander as a military bureaucrat intent on protecting the army from bad publicity. Time flies!

Primarily because it is done so well (and secondarily because it addresses the effect of war on our young military) I urge you to see this film.

In the Electric Mist (2008)

From NetFlix:

Detective Dave Robicheaux (Tommy Lee Jones) finds himself swimming in a murky sea of corruption, deception and lies when he probes the connection between a rash of murders and a notorious New Orleans mobster (John Goodman) — and discovers secrets that were better left untold. With Robicheaux’s family, and his life, in serious danger, can he stem the rising tide of blood and bring justice back to the bayou?

If it were not for some notable actors such as Tommy Lee Jones, John Goodman, Peter Sarsgaard, and Mary Steenburgen, this ordinary B-film would not be worth watching. The only unusual theme is that Robicheaux is a reformed alcoholic who wants to get Sarsgaard into Alcoholics Anonymous. Better to watch a Law and Order episode.

The Name of the Rose (1986)

From NetFlix:

In this adaptation of Umberto Eco’s best-selling novel, 14th-century Franciscan monk William of Baskerville (Sean Connery) and his young novice (Christian Slater) arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church’s authority and fight the shadowy conspiracy of monastery monks using only his intelligence — which is considerable

Umberto Eco wrote his first novel The Name of the Rose in 1980. Eco is a well-known modern scholar.

Jean-Jaques Annaud, the director, has assembled a cast of the most unusual, distorted, exaggerated, cretinous faces I have ever seen. These faces are perfectly in tune with the dark, forbidding atmosphere of the Benedictine monastery in northern Italy. To keep all the characters straight, try reading the Wikipedia article on the film. Besides Sean Connery and Christian Slater, Ron Perlman as Salvatore is particularly memorable. Salvatore is the retarded hunchback whose garbled speech is a mixture of several languages. Whoever restructured and tonsured all those heads was a genius in the art of actor makeup.

Thanks to my Italian teacher ,Vincenzo Santone, for recommending this film. Of course, Vincenzo would like me to read the original Italian version, which is a challenge. Because I have not read the book, I do not know if it is so condemning of the Catholic church of the early 14th century as is the film. Certainly the film makes the church hierarchy into a pack of sadistic, ignorant, self-indulgent, greedy, superstitious cretins. Naturally, the Inquisition is cast as the fundamentalist, intolerant Taliban of the 14th century.

Here is one film that I could not stop watching.