Category Archives: Violent

Twisted (2004)

From NetFlix:

Female cop Jessica (Ashley Judd) is more dedicated to enforcing the law than most of her colleagues, since she feels she has a lot to make up for: Her father moonlighted as a serial killer. Could it be that the apple doesn’t fall very far from the tree? That’s what Jessica thinks when she finds herself at the center of her own investigation as past lovers inexplicably start dying at a breakneck pace.

Did I guess who-done-it ? No, I was wrong twice. Try your own luck.

Good acting, well shot in San Francisco, well-known actors, sexy! Could have been an hour TV crime show but the film is still a strong B+. Not a total waste of time.

Tell Tale (2008)

From NetFlix:

In this thriller inspired by Edgar Allen Poe’s “The Tell-Tale Heart,” Josh Lucas stars as Terry, a single dad who’s kept alive by another man’s heart — a scenario that suits him fine until he discovers that the ticker’s original owner was murdered. Worried that he might come to a similar end, Terry embarks on a desperate search for the donor’s killer in this Michael Cuesta-helmed film produced by Ridley and Tony Scott.

At first I thought this would be a B-grade forgettable film and perhaps it is. However, it was compelling enough that I stayed glued to the screen. Your opinion would be appreciated if you ever watch this film. There are just too many other better films to watch.

While not offering any spoiler to this mystery plus vengeance film, it does seem that lately I have watched many films with a theme of organ transplant (“Repo Men”, “Never Let Me Go”, “Dirty Pretty Things”). I was a bit put off by the vigilante aspects of the film, but it is just a story.

There is one very gory scene toward the end which I cannot discuss without spoiling.

With my poor hearing and because there were no subtitles available, I had trouble understanding how the detective was complicit in the plot. Help would be appreciated.

The Official Story (1985)

From NetFlix:

Argentinean schoolteacher Alicia (Norma Aleandro) is forced to question her government’s official story of the “Dirty War” of the 1970s when she suspects that her adopted daughter, Gaby, may be the child of a murdered political prisoner. But her quest for truth takes a heavy toll on her relationship with her conservative husband (Héctor Alterio). This wrenching historical drama won the Oscar for Best Foreign Language Film in 1986.

To appreciate this film it might help to read the Economist’s obituary of Emilio Massera.

Nothing brings history to life more than a film that puts us in contact with that period of history. Spain and consequently Latin America have a long history of bloody conflicts between liberals and conservatives. As a horrific example we have the “Dirty War” of the 1970s in Argentina. Massera was convicted of murder and torture in 1985, the same year in which this film was made. So making this film in 1985 must have taken some courage. In part of the film you see the Mothers of the Plaza de Mayo marching. They started to march in 1977. The founder of the Mothers was put in a concentration camp. She and two others were “disappeared”.

Both husband and wife characters are excellent actors. She represents the comfortable upper class women who prefer to understand nothing of politics. He represents the conservatives who hated liberals and thought nothing of murdering supposedly liberal mothers (many were innocent bystanders) and then adopting their orphans. Their marriage and the sadness that ensues is a metaphor for the division in Argentina.

There is no actual rape or torture shown. Rather the wife’s lifelong girl friend relates how she was tortured and raped by the conservative Argentinian Naval officers.

The scene in which Alicia goes to (Catholic) confession shows the hypocritical complicity of the Catholic hierarchy who were for the most part conservative supporters of the “Dirty War”. You can read about the role of the Argentinian Catholic hierarchy in the “Dirty War”.

Spanish with subtitles. Note the absence of “s” in the Argentinian accent.

Repo Men (2010)

From NetFlix:

In the world of this sci-fi thriller set in the not-too-distant future, artificial organs are readily available to anybody with a credit card. But what happens if a buyer falls delinquent on his payments? Jude Law stars as an organ repo man who’s now fleeing his ex-partner after failing to keep up the payments on his own recently installed ticker. Miguel Sapochnik directs; Forest Whitaker and Liev Schreiber co-star.

Do NOT watch this film with your family in front of a cozy fire near the Christmas tree because “Repo Men” is easily one of the more gory and disturbing films I have ever seen. It is based on the novel Repossession Mambo by Eric Garcia. Having warned you, I now encourage those of you with strong stomachs to see this film. Jude Law, newly beefed up, and his partner Forest Whitaker portray chillingly a pair of opportunist thugs whose job is indeed to retrieve transplanted body organs from clients who have fallen behind on their outrageously expensive loans at more than 19% interest. You must be able to watch Jude Law use a stun gun to paralyze a “deadbeat” and then rip the client’s body open and reach in and pull out a heart, liver, kidney, or whatever. Perhaps you might prefer a Disney movie.

As with so many post-apocalyptic stories, there are abandoned, gritty sections of the city where the castoffs live. It seems most castoffs are hunted for their bodies filled with transplanted organs. For a similar situation see the film “Blade Runner”. Also note the theme of organ transplants in films such as “Dirty Pretty Things” and “Never Let Me Go”.

Before you click away from this description, I have to say that in a certain way this is a story of redemption. There is a point here. Whereas Liev Schreiber does a superb job as an amoral salesman for body parts, and whereas Forest Whitaker seems unconcerned about the ugliness of it all (after all, “a job is just a job”), Jude Law starts to regret and eventually realizes the horror of what he does for a living.

Because the ending confused me, I found it helpful to read the Wikipedia article. Perhaps reading the original book might help.

You have been warned!

The Girl Who Kicked The Hornet’s Nest (2007)

Stieg Larsson’s Millenium Triology was published after his untimely death at the age of 50 from a heart attack. Wikipedia has a discussion of his death and whether it was related to the fact that he lived under death threats for his work against right-wing extremism. His biography in Wikipedia shows him to be a man of action.

“The Girl Who Kicked” is number three in the trilogy and seems to me to be the least interesting of the three. It is largely procedural. It ties up some but not all of the details from the second book “The Girl Who Played With Fire”, thus leaving room for more installments which Larsson had planned and partially written. I read number three in a paperback purchased in England.

So far the Swedish filming of the first two books was well worth watching. Needless to say, if Sweden films the third novel, yours truly will be eager to watch it.

V (2009)

From NetFlix:

Who are they, and what are they up to? These are the questions Earth inhabitants pose in their first encounter with an alien race called the Visitors in this ABC sci-fi drama based on the 1980s miniseries V. When Homeland Security agent Erica Evans (Elizabeth Mitchell) begins to find the answers, she joins a resistance movement to thwart the Visitors — even as they recruit her teenage son as their spy.

In 1983 I was enthralled with the original “V” series. It took many episodes before we got to see their female leader open her mouth to reveal a serpent’s tongue and fangs and to swallow whole a mouse. This latest version from 2009 is just as tense and has been greatly updated to the current sad state of our planet (which sad state has been created by the visitors). Much to my surprise we get to see the reptile skin under the human cloned covering in the first episode. And it doesn’t matter because the fun is just beginning.

Here is a film in which we can really appreciate the marvelous digital effects. The interior of the mother ship is not to be believed.

As of this writing (Nov 2010) only season 1 is available on DVD.

These damned reptiles even have sex with humans! Are you sure your partner isn’t one of the visitors ?

The Girl Who Played With Fire (2009)

From NetFlix:

Tech expert Lisbeth Salander (Noomi Rapace) becomes the prime suspect when two journalists, including Dag Svensson (Hans Christian Thulin), die after Millennium magazine publisher Mikael Blomkvist (Michael Nyqvist) launches an exposé of the Swedish sex trade. In Part 2 of the trilogy based on the action novels of Stieg Larsson, the vampiric Salander vanishes as Blomkvist digs deep into a possible conspiracy.

Here we discuss the Swedish version.

You should first (read and) see The Girl With The Dragon Tattoo (2009) which is the first book of the Millenium trilogy by Stieg Larsson. Actors from the first film continue into the second film which follows faithfully the book such that its ending will flow into the third book.

Fortunately the DVD from Netflix allowed me to have both English dubbing as well as SDH subtitles for the hard-of-hearing. The dubbing does not match exactly the subtitles, but that does not matter. Moreover, the dubbing is spoken with very clear diction. If your hearing ever suffers you may discover that American actors often mumble because diction lessons are not part of the American acting tradition.

This time around I appreciated the actor Michael Nyqvist better and found that he fit the part. He is somewhat inert, but perhaps that is the intent. In general it is revealing to first read the novel and then compare your mental pictures of the characters with the actors chosen.

There is an explicit Lesbian sex scene. There is a rape scene.

True Blood (2008)

From NetFlix:

Mind-reading waitress Sookie Stackhouse (Anna Paquin, in a Golden Globe-winning role) dives into a complicated relationship when she falls for vampire Bill Compton (Stephen Moyer) in a world where the undead live openly and drink synthetic blood. Trying to improve their image and legitimize their finances, the out-of-the-coffin bloodsuckers hire PR firms and contribute to influential Republican politicians, among other tactics.

Get ready for two seasons of sex, violence, vampires in a well-made TV series of pure unadulterated fun and trash. From episode to episode the writers just get it right. A very young cast does a superb acting job. After watching for awhile I find myself thinking in a southern drawl. This is not gorn (gory porn). For a series on vampires, the writing is thoughtful and metaphorical. By metaphorical I mean that the premise of the series is that the United States is now in an epoch in which vampires are asserting their constitutional rights as is also the gay population. People now get addicted to the new drug of choice: vampire blood (known as “V”). Eventually characters get unwittingly involved with far-right groups out to attack vampires (and gays). Other oddities appear such as shape shifters. The sex is quite explicit and plentiful.

I LOVE TRASH !

The White Tiger (2008)

Aravind Adiga has written this novel (276 pages in paperback) in the first person of an Indian servant to a wealthy Indian. It won the Man Booker prize of 2008 (but don’t all published books these days win some prize ?). As such it is a witty or sarcastic criticism of many of the problems in India: poverty, corruption, class divisions, etc. The book pretends to be a succession of letters that “The White Tiger” (the name the protagonist assigns to himself) has written to the Premier of China to explain the unfortunate culture of India. If anything, the theme is that of an individual brain-washed into accepting his “inferiority” who fights to rid himself of that image. At times outrageous, funny, violent, call this merely an entertaining read.

Sin Nombre (2009)

From NetFlix:

Fleeing retaliation from the violent Central American street gang he has deserted, young hood Casper (Édgar Flores) boards a northbound train, where he takes refuge on top of the moving freight cars and hopes for a fresh start in a new country. Dodging authorities and other dangers, he finds a new friend in Sayra (Paulina Gaitan), a Honduran girl also making a run for the American border. Cary Fukunaga directs this foreign-language thriller.

In Spanish with subtitles, this grim tale of the desperate desire to escape a hopeless life in the poor, gang-ruled parts of Mexico makes for some difficult watching. You can read about the plot in the
Wikipedia article. I had hoped that article would confirm that the film is an accurate portrayal of life in parts of Mexico. Unfortunately the only quote of note from this article was the following:

The film was shot in Torreón, Coahuila, Mexico. Several of the extras used in the film were actual migrants. Fukunaga said of working with them, “I didn’t have to tell them anything – they know how to sit on top of a train.”

Someone once defined “morality” for me as “that which you must do to receive the approbation of those around you”. Keep this in mind while you watch the behavior of the gang members.